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Ben introduces the first string-skipping application of two-note-per-string picking, using six-note groups across three strings and practising both ascending and descending movements. The focus is on maintaining accurate downstroke placement through the larger string jump, gradually developing the movement across different string sets and positions before combining it into longer runs.
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Ben develops the two-note-per-string technique into longer groups of six, combining them to move smoothly through ascending and descending pentatonic patterns. The focus remains on strict alternate picking, accurate downstroke placement and gradually linking short bursts together to create flowing, fast runs across the strings.
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This lesson starts applying two-note-per-string picking to actual scale shapes, using both the G major scale and pentatonic patterns across pairs of adjacent strings. The focus is on keeping the same downstroke-led picking motion while moving through different areas of the neck, gradually building coordination, endurance and fretboard awareness without relying on one fixed exercise.
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This lesson explores the differences between ascending and descending two-note-per-string picking, showing how the underlying right-hand mechanics remain largely the same even when one direction initially feels much harder. The focus is on practising both directions equally across small groups of adjacent strings, building a strong downstroke-led foundation before introducing more advanced inside/outside picking variations later.
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This lesson develops the first practical string-crossing exercise for strict two-note-per-string picking, focusing on building confident downstroke-led transitions between strings before gradually adding speed and longer phrases. It emphasizes using relaxed repetition, natural pick movement, and progressive practice to develop control, while accepting that accuracy and refinement come through consistent repetition rather than trying to perfect the motion immediately.